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Having been produced more than a decade ago, SPILT GRAVY and the recent one 3 JANDA shares a common significance in almost every aspect. The review here overlooks mainly on the language, the exploration of Malaysian culture, using time as the climacteric element and the proficient use of magical realism to enhance the visual and narrative rhythm. Cumulating the rationale behind these findings is to understand the depths of creativity that the directors are willing to descend to until the story prevails as it should to the audience.
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